Kandinskys Art :: Wassily Kandinsky Artists Painters Essays

Since my offshoot encounter with Kandinskys artistryifice I was stupefied by theircomplexity and always wondered about the creative and intellectualmind, which was prudent for them. The few books I managed to findon Kandinsky were extremely utiliseful as they outlined his entire careerand had a substantial amount of illustrations. there were also anumber of websites available on the Internet, which containedcritiques from other art historians, critics and fellow artists fromaround the world. But there is not a braggy number of his paintingsavailable in Britain therefore could altogether experience his art at firsthand on three occasions. If I were to essay this coursework again Iwould perhaps try to widen my research by travelling outside of theU.K. and experiencing at first hand some of Kandinskys to a greater extent grandpieces, in order to fully feel their effects.IntroductionUpon my first encounter with Kandinskys painting, my eyes and indeedmy mind were overcome with a mind of puzzlement, as it seemedimpossible to decipher what lay beneath his concupiscent use of twineand distorted forms. Kandinsky hoped by freeing colour from itsrepresentational restrictions, it, want music could conjure up aseries of emotions in the nous of viewer, reinforced by correspondingforms. Throughout this essay, I will follow up on Kandinskys quest for a utter(a), abstract art and attempt to determine whether his passionatebelief in this spiritual art and his theories on its effects on thesoul, can truly be felt and appreciated by the reasonable viewer, who atfirst glance would most likely view Kandinskys paintings as simplyabstract.Kandinsky was indeed a visionary, an artist who through histheoretical ideas of creating a new pictorial language sought torevolutionize the art of the twentieth-century. Regarded as thefounder of abstract painting, he broke free from arts traditionallimitations and invented the first painting for paintings sake,whereby the dissoluti on of the object and subsequent promotion ofcolour and form became means of expression in their own right. Thistheory originate in from his fundamental belief of the importance of aspiritual art, which could be extracted only from the inner voiceof the artist. Kandinsky believed that this spiritual domain wasindestructible and therefore had the upper limit authoritative power tocreate artistic messages that were as alive and pure as nature. Hispreoccupation with music and the freedom of expression that itprovided, fascinated Kandinsky and providential his observations on thesounds of colours, a theory based on an idea that these colours hada psychological effect on the viewer similar to the aroused effectcreated by a musical composition.Kandinsky the RussianBorn in Moscow in 1866, Wassily Kandinsky would spend the majority of