Interactivity In Art Essay -- Art Design Artistic Essays

Interactivity In Art AbstractThis essay examines the nature of interactivity in the arts through a cybernetic model, to arrive at an instinct of how interactive ar dickensrks can maintain and augment the subjectivity of the viewer. The cybernetic treat foregrounds the relationship between the physical artifact (machine and/or work of art), the thespian/spectator, and information/data/content. By examining the shifts in focus from each deviate of the cybernetic equation, several models for interactivity in art emerge. In a inquisition for a definitive and user-centered working model of interactivity in the arts, a perspicuous place to look is at the history of cybernetics. Cybernetics, defined by Norbert dog-iron in Cybernetics or Control and Communication in the Animal and the motorcar as the entire field of control or communication theory, whether in the machine or in the animal (Wiener 11) contains a number of pointers to a useful model of interactivity. The or igin of the term cybernetics from the Greek, meaning to steer, implies a reciprocal relationship between external forces, the machine, and the human to maintain a condition of homeostatic. In a work of interactive art, as in Wieners description of a bee-hive, the secret of its organized deed lies in the intercommunication of its members (156). A second fertile site to mine for ground the nature of interaction in the arts is the traditions and conventions of the art object itself at how the art object is thought to project feeling and meaning , to mixed bag across time and culture, and to involve the viewer, temporality, and artist in a energetic interchange within an aesthetic dimension. Toward these ends, I will address two questions... ...n, 1999) Susanne K. Langer, Mind, an Essay on Human Feeling, John Hopkins University Press, (London, 1982) John C. Lilly, M.D., Programming and Metaprogramming in the Human Biocomputer, Julian Press Inc, Crown Publishing Group, ( unexamp led York, 1969) Lev Manovich, The Language of New Media, MIT Press, Leonardo Books, (Cambridge, 2001) __ On Totalitarian Interactivity (notes from the enemy of the people,http//www.manovich.net/text/totalitarian.html, 1996. Heinz von Forester, Molecular Ethnology An disrespectful proposal for Semantic Clarification, Observing Systems, 2nd Edition,, Intersystems Publications, (Salinas California 1984) Humberto Maturana and Francisco Varela, Autopoesis and Cognition The acknowledgement of the Living (Dordrecht D. Reidel 1980). Perry Hoberman, Faradays Garden, http//www.hoberman.com/perry/pages/faraday/list.html