Comparing the Novel and Film Versions of Elizabeth Bowen’s The Heat of the Day :: Comparison Compare Contrast Essays

Comparing the Novel and Film Versions of Elizabeth Bowens The Heat of the daytimeWhen reading Elizabeth Bowens 1949 novel, The Heat of the Day, and therefore, viewing the movie by the identical title, large and small differences are noted. These differences are enough to make two the reading and the viewing interesting and not a boring duplication. When comparability the opening sequences, the differences are striking. Bowens story begins with the interaction between the dim Harrison and the determined woman, Louie, in Regents Park the screenwriters version establishes all the characters and places the stories events into a chronological order that changes the impact of the scene. By discussing the opening scenes in separately media it becomes apparent that Elizabeth Bowen has more faith in her audience than the screenwriter has in his. Bowen assumes that the reader is capable of comprehending the introductory scenes when create verbally from the view of the minds eye. T he screenwriter lacks confidence in his viewer and finds it necessary to lose the cloak and dagger impact in order to make sure the story is understood. Elizabeth Bowens writing is actually descriptive. She takes great pains to ensure that her reader sees the environment in which her characters stay as well as having a clear picture of the personalities and characteristics of each individual. In Chapter Ones opening two sentences, Bowen perfectly paints a portrait of autumn in Londons Regents Park. The readers mind easily drifts into an autumn mood and remembers neighborly times of his life when the leaves gently floated down from trees overhead attempting to cover the solid ground in a riot of color. As Chapter One continues, Bowen establishes her venue in the park describing the open-air theatre with its walled thickets and tall trees, musicians performing the music of waltzes, frontier and overtures, and the varying nationalities of people in attendance, not just th e English but visitors too. It is at this point that the reader first discovers the comic elements that will be hidden throughout within the perplexing story. Bowen writes, mothers tired of being mothers forgot their children as their children forgot them one held her baby as though it had been a doll and then goes on to say, these were the English (4-5). Here is the dry tongue-in-cheek British gratify that brings a quiet giggle to the surface or a grimace to the face.